kraounakis

Bản ghi

1 Ù Ì ÙË 48 OnBlue KÚ Ô Ó ÎË ÎÏÔÊÔÚÒ ÁÂÚÓÒÓÙ ÎÈ ÔappleÏÔÊÔÚÒ Ì Ì! A TON ª ª Stamatis Kraounakis: I go about growing old and armed, mother! ªÈÏ ÂÈ ÁÈ Ù appleô ÙÔ ÍÂ Ë «appleâ Ú -appleâ Ú» ÙË ˆ ªÂÁ ÏÔ Ì ÚÔ ÙË Î ÏÏÈÙ ÓÈÎ Û ˆ Â Ó È Î È ÔÈ appleúfi Â. ÈÛÙ ÂÙ fiùè ÚÂÈ ÂÙ È appleúfi Â Î È Ë appleú ÁÌ ÙÈÎ ˆ Ì. Ó Ó È, Û appleôèô ÙÔÌ ; Ó È Ê ÚÔÓ! ÏÏ Ì appleˆ ÂÓ ÙÈ Î ÓÔ Ì ÎÈ Ù ; fiûâ ÊÔÚ ÂÓ appleè ÓÔ Ì ÙÔÓ Â Ùfi Ì appleúèó ÌappleÂÈ Î appleô, apple.. Ó ÌÈÏ ÛÂÈ ÁÈ ÔÈÎÔÓÔÌÈÎ, Ó Î ÓÂÈ appleúfi ÛÙÔÓ Î ıú ÊÙË ÙÔ ÛÛ ÓÛ Ú, appleò ı Ù ËÙ ÛÂÈ; appleúfi appleúèó applefi Ó ÁÎÔÌÂÓÈÎfi apple.. «ÎÔ ÛÂ Ó ÂÈ appleò ı Ù appleˆ». ÔÌ ˆ Ó È, appleú appleâè Ó ÙÔ Â ÙÔ Ì fiùè apple ÂÈ Ë appleúfi ÛÙËÓ Î ıëìâúè- ÓfiÙËÙ. ºÙ ÓÂÈ, Ó ÌËÓ Â Ó È Ë Î ıëìâúèófiùë- Ù, appleúfi ˆ!!! ŒÓ Î ÈÓÔ ÚÁÈÔ ÙÚ ÁÔ È, ÙÈ ÔÊ ÏÂÈ Ó appleâúè - ÂÈ ÁÈ Ó ÌËÓ Â Ó È ÏÏÔ Ó ÎfiÌË Î ÈÓÔ Ú- ÁÈÔ ÙÚ ÁÔ È; È Ó apple ÏÈfi È ÚÔÓÈÎfi, ÙÈ appleâúèâ Â Î È ÓÙÂÍ ÛÙÔ ÚfiÓÔ Î È Û Ó ÂÈ Ó ÊÔÚ Î È ÙÔÓ ÓıÚˆappleÔ ÙÔ Û ÌÂÚ ; Ô Î ÈÓÔ ÚÁÈÔ; ŒÓ ÛıËÌ appleô Ó Î ıúâ- ÊÙ ÂÈ ÙËÓ Ï ıâè ÙÔ ÙÒÚ. Ô apple ÏÈfi; ËÓ Ï ıâè ÙÔ apple ÓÙ! È Û ÂÍÈÙ ÚÂÈ appleâúèûûfiùâúô, Ó ÙÂÏÂÈÔappleÔÈ Ù ΠÙÈ appleô Î Ó Ó Î È Î appleôèôè ÏÏÔÈ, Ó Ë- ÌÈÔ ÚÁ Ù ΠÙÈ ÂÓÙÂÏÒ Ó Ô Î È Ó ÙÔ Î ÓÂÙ Π٠ÛÙ ÛË. ÚÔÙÈÌ Ù ÙÔÓ Ù ÙÏÔ ÙÔ Ó Óˆ- Ù, ÙfiÓ ÙÔ appleúˆùôappleôúè ÎÔ ; ÚÔÙÈÌÒ ÙÔÓ Ù ÙÏÔ ÙÔ ÂÚÁ ÙË. ŸÏ Ù applefi- ÏÔÈapple, Â Ó È apple Ú ÁˆÁ Ù ÙË ÛÈÎ ÙÚÈ-. ªÂ ÂÓ È Ê ÚÂÈ ÔÙÈ appleôùâ Î Ù appleè ÓÔÌ È Ó ÓÙÏ applefi ÙËÓ ÁÓÔÈ ÌÔ ÎÈ fi È applefi ÙÔ Â ÔÌ ÓÔ ÌÔ. Ô ÌÂ È ÛÌ. ªÂ ÎÔ - Ú ÂÈ Ë Ú ÛË ÙÔ Â ÔÌ ÓÔ ÌÔ. BY BABIS PAPADATOS Speaks on what his life experiences have taught him Rehearsals are a great part of an artist s life. Do you believe that one needs to rehearse in real life as well and if so, in which areas? Interesting! We use rehearsals anyway, don t we? How many times do we catch ourselves rehearsing in front of the mirror or in the elevator before a discussion on finances, for instance or before we speak to our potential significant other. For instance, "here s what I m going to say " Yes, I think we should accept that rehearsals are part of reality, as long as our reality doesn t become a rehearsal of life. What should a new song have so that it isn t just another new song? What do you think older songs possessed that made them time-enduring and relevant to today s life? New songs ought to convey a feeling that reflects the reality of the present. The older songs reflected eternal truth. What excites you more, to perfect something that others have started or create something completely new and establish it? Do you prefer being the craftsman who excels in revamping or the pioneer who comes up with new material? I prefer the title worker. All the rest is a product of basic labor. I am interested in doing things that make me explore new areas, beyond what I know. I like doing OnBlue 49

2 ÈÛÙÂ ÂÙÂ fiùè ÛÙÔ ÌÂÁ Ï ÙÂÚÔ Ì ÚÔ ÙÔ ÚÁÔ Û ÂÎÊÚ Û ÙÂ ÙËÓ ÂappleÔ Û ÙËÓ Û ; ËÓ ÌÔ Ì Û ÛÙËÓ ÂappleÔ ÌÔ. ÙÂ Ë ÂÌappleÔÚÈÎÔ Î È ÓÙÂ ÓÔ ÁÎÚÂÌ ÛÙËÎ Ó Î È Î ÏÒ ÂÙÂ ËÏÒÛÂÈ, apple Ú Ì ÓÂÙÂ appleôûùë- ÚÈÎÙ ÙË appleô Ë «Ó apple Ú Ô Ó fiï» ÚÎÂ Ó ÙÔ ÓÔÓÙ È ÛÂ Â Î ÈÚ Â Ó Ù Ó Î Ï ÂÈ Î È Ó Ù ÂappleÈÏ ÍÂÈ ÙÔ ÎÔÈÓfi; ÌÔ ÛÈÎ Â Ó È ÂappleÈÎÔÈÓˆÓ. Ú Î È Ù ÏÔ. È ÂÙÈÎ ÙÂ Î È Ë Ù ÍÈÓfiÌËÛË Â Ó È ÁÈ ËÌÔÛÈÔ- ÁÚ ÊÈÎ Ú ÛË. apple ÙË Ô Û, Ù Î ÓËÙÚ, Â Ó È Ë ÎÊÚ ÛË ÎÈ Ë ÂappleÈÎÔÈÓˆÓ. homework. I get tired of using the same familiar elements all the time. Do you believe that through the greater part of your work you have expressed your times or your soul? My soul, in my times. The divide between commercial and artistic popular music has collapsed and, as you have stated, you remain a supporter of the view that all genres should be given equal chances for the audience to choose for themselves. Music is communication. The beginning and the end. Labels and categories are made for media use. In essence, the sources of music are expression and communication. I don t believe that equal opportunities will ever be offered, given that the groups that promote poor-taste products do so on purpose. Nevertheless, the possibilities for quality music to circulate and spread are high. Sometimes it s done by word of mouth, which is the best way! What does the belief that times have changed mean to you? What are the positive or negative connotations it may have? In what areas the change was toward the better and in what areas toward the worse? The centers of power want us all overstretched and over-productive and it is getting worse by the day. Every generation works for the next one. There is always beauty. We coordinate our energies so that futility doesn t make beauty detiriorate. Can music bring back our lost collective spirit and inspire new movements, visions, and humanistic expectations? Goes without saying! This is the role of music. How harmful is the easy promotion of new talents and their 15 minutes of fame for the younger generation? Never mind that. This has been going on forever. The younger generation should focus on what they eat in order to avoid infections! What do you think about the new generation? Are you optimistic about them? Do you understand them or feel disappointed with them? It is a cruel generation but eager to listen when the speaker offers them benefits for ÚÔÙÈÌÒ ÙÔÓ Ù ÙÏÔ {ÙÔ ÂÚÁ ÙË 50 OnBlue

3 ÂÓ appleèûùâ ˆ fiùè ı ÔıÔ Ó appleôù ÔÈ Û  ΠÈÚ Â,  ÔÌ ÓÔ fiùè, ÔÈ fiìèïôè appleúô ÔÏ ÙÔ Î Îfi- ÁÔ ÛÙÔ ÙÔ appleúôˆıô Ó Âapple ÛÎÔappleÒ. È Ó ÙfiÙËÙ fiìˆ Ó Î ÎÏÔÊÔÚ ÛÂÈ ÙÔ Î Ïfi appleú ÁÌ Î È Ó È ÔıÂ, Â Ó È appleôïï Î È Î ÌÈ ÊÔÚ ÙÔ «applefi ÛÙfiÌ Û ÛÙfiÌ»...ÙÔ Î Ï ÙÂÚÔ!!! È Û Ë È apple ÛÙˆÛË «Ô Ó ÏÏ ÍÂÈ ÔÈ ÂappleÔ», ÙÈ ıâùèîfi Î È ÙÈ ÚÓËÙÈÎfi appleâúèï Ì ÓÂÈ; Ô ÏÏ Í Ó appleúô ÙÔ Î Ï ÙÂÚÔ Î È appleô appleúô ÙÔ ÂÈÚfiÙÂÚÔ; Î ÓÙÚ ÂÍÔ Û Ì ı ÏÔ Ó fiïô «ÙÛ Ù» Î È ÛÙËÓ apple Ú ÁˆÁ. Ùfi ÂÈÚÔÙÂÚ ÂÈ Û Ó ÂÈ. ıâ ÂappleÔ Ô Ï ÂÈ ÁÈ ÙËÓ ÂapplefiÌÂÓË. Àapple Ú ÂÈ apple ÓÙ ÔÌÔÚÊÈ. ÓÙÔÓ Ô Ì ÙËÓ ÂÓ ÚÁÂÈ Ì, Ó ÌË Ì ÙËÓ Êı ÚÂÈ Ô ÎÔ ÚÓÈ Ùfi ÙÔ Ì Ù ÈÔ!!! 52 OnBlue Î ÓÙÚ ÂÍÔ Û {Ì ı ÏÔ Ó fiïô «ÙÛ Ù» themselves. They need love and affection. You have confessed that you d rather not mess with the past. Do you prefer looking ahead? When you do that, which feeling is stronger inside you, enthusiasm, fear, panic, or innocence? I prefer looking ahead, of course, and I feel innocent and enthusiastic. Who are your friends and who are your enemies? Have there been moments in your life when the two reversed? My friends have always been the same people. Some, who used to not like me in the past, have since changed their mind. That s good for both parties. There are also those who I don t wish to like me and I wouldn t want them to change their mind, because that would bring me in an awkward position. What kind of music stuck with you as a child? You should see what sticks with me now! Hatjidakis, the Beatles, James Brown, Santana, bouzouki music, harmony, Mozart, Bach, preclassical, Portuguese, Italian and German cabaret, film soundtracks, variety shows, musicals Would I be correct to presume that your early experience in theatrical productions has influenced your musical expression in discography? Most of your songs are strongly theatrical you don t deny that. Was it Lina Nikolakopoulou s lyrics that turned you to that direction or was the theatricality in your music a mutual starting point? In other words, you have created musical images and at the same time added musicality to acting What has always fascinated me is what I receive as a listener. When the interpreter has made the material his own, his or her whole presence onstage becomes a well-rounded and full-fledged performance. How do you define love as an artistic motive and as a human need? Love is the main spring board for everything. Do you feel there will always be reason for new songs to be written or you wonder at times if everything

4 ªappleÔÚÂ Ë ÌÔ ÛÈÎ Ó Âapple Ó Ê ÚÂÈ ÙËÓ «Ì ÓË» Û ÏÏÔÁÈÎfiÙËÙ Ì ; ÂÌappleÓ ÛÂÈ Í Ó ÎÈÓ - Ì Ù, ÔÚ Ì Ù, appleúôû ÔÎ Â ÓıÚˆappleÔÎÂÓÙÚÈÎ ; ÓÓÔ ٠È! Ùfi Ù Ó Î È Â Ó È Ô ÚfiÏÔ ÙË. fiûô Î Îfi Î ÓÂÈ ÛÙ Ó apple È È Ë Â ÎÔÏË appleúô ÔÏ «Ó ˆÓ Ù Ï ÓÙˆÓ» Î È Ë ËÌÔÛÈfiÙËÙ ÙˆÓ Ï ÁˆÓ  ÙÂÚÔÏ appleùˆó appleô ÙÔ Ó ÏÔÁ ;  ÚÈ ÛÙÂ. ÓÙ apple Ú Ó Ù. ÎÔÈÙ ÍÔ Ó Î È Ù Ó apple È È, fiappleˆ Î È Ù apple È È Î ıâ ÁÂÓÈ, ÙÈ ı Ê Ó ÁÈ Ó ÌËÓ apple ı ÓÔ Ó ÏÔÈÌÒÍÂÈ!!! Ó ÁÂÓÈ ÙÈ Û ÌÂÙ ÂÈ; ÛÙ ÈÛÈfi ÔÍÔ ÁÈ Ù Ó,  ÛÙ ÛÙËÚfi Ì ÙË, ÙËÓ Î Ù ÓÔ-  ÙÂ Û appleôáôëùâ ÂÈ; Ó È ÛÎÏËÚÔ, ÏÏ Â Ó È Î È ÓÔÈ ÙÔ Ó ÙËÓ ÎÔ ÛÔ Ó fiù Ó Ùfi appleô ÙÔ ÌÈÏ ÂÈ ÙÔ ÓÂÈ ÁÈ Î ÙÈ Î Ï ÙÂÚÔ ÁÈ ÙËÓ apple ÚÙË ÙÔ. ÏÔ Ó Á appleë Î È ÛÙÔÚÁ. Œ ÂÙ ÔÌÔÏÔÁ ÛÂÈ, fiùè ÂÓ Û Ú ÛÂÈ Ó Ó ÌÔ Ï ÂÙ ٠apple ÏÈ. ÚÔÙÈÌ ÙÂ Ó ÎÔÈÙ ÂÙ ÌappleÚÔ- ÛÙ, fiù Ó ÙÔ Î ÓÂÙ Ùfi, appleôèô Û Ó ÛıËÌ Û Î Ù Ï Ì ÓÂÈ appleèô ÓÙÔÓ. ÓıÔ ÛÈ ÛÌÔ, Êfi Ô, apple ÓÈÎÔ ıˆfiùëù ; ªappleÚÔÛÙ, ÌappleÚÔÛÙ. ıˆfiùëù Î È ÂÓıÔ ÛÈ ÛÌfi. ÔÈÔÈ Â Ó È ÔÈ Ê ÏÔÈ Û Î È appleôèôè ÔÈ Â ıúô Û ; Àapple ÚÍ Ó Ê ÛÂÈ ÛÙË ˆ Û appleô ÔÈ ÌÂÓ ÁÈÓ Ó Â Î È ÙÔ ÓÙ ÛÙÚÔÊÔ; º ÏÔÈ ÌÔ Ù Ó Î È Â Ó È ÔÈ ÈÔÈ. appleôèôè appleô ÂÓ ÌÂ Û Ìapple ıô Û Ó, ÏÏ Í Ó ÁÓÒÌË. ÌÔÈ Ô ÙÔ Î Ïfi. Ó È Î È Î appleôèôè appleô Ô Ù ÂappleÈı ÌÒ Ó ÌÂ Û Ìapple ıô Ó, ÏÏ Î È Ô ÙÂ Ó ÌÂ Ê ÚÔ Ó ÛÙË ÛÎÔÏË ı ÛË Ó ÏÏ ÍÔ Ó ÁÓÒÌË. È ÌÔ ÛÈÎ ÛÎ ÏˆÛ Ó ÛÙËÓ ÌÓ ÌË Û applefi ÌÈÎÚfi ; È ÙÈ ÛÎ ÏÒÓÔ Ó ÙÒÚ Ó Â ÙÂ! Ã Ù È ÎÈ, ÌË Ì Êı ÚÂÈ Ô ÎÔ ÚÓÈ Ùfi {ÙÔ Ì Ù ÈÔ ªapple ÙÏ, ËÌ ªappleÚ Ô Ó, ÓÙ Ó, ÌappleÔ Ô ÎÈ, ÚÌfiÓÈ, ªfiÙÛ ÚÙ, ªapple, appleúôîï ÛÛÈÎ, ÔÚÙÔÁ Ï ÈÎ, πù ÏÈÎfi Î È ÂÚÌ ÓÈÎfi Î Ìapple Ú, ÂappleÈıÂˆÚ ÛÂÈ, ÛÈÓÂÌ, ÌÈÔ ÈÎ Ï Ó È ÛˆÛÙ Ë ÂÎÙ ÌËÛË ÌÔ fiùè Ë appleúô appleëúâû Û Û ıâ ÙÚÈÎ apple Ú ÛÙ ÛÂÈ, ÂappleËÚ ÛÂ Î È ÙËÓ ÌÔ ÛÈÎ Û ÎÊÚ ÛË ÌÂÙ appleâèù ÛÙËÓ ÈÛÎÔÁÚ Ê ; appleâúèûûfiùâú apple Ù ÙÚ ÁÔ È Û Â Ó È ÓÙÔÓ ıâ ÙÚÈÎ, ÂÓ ÙÔ ÚÓ ÛÙÂ, Û Ùfi Û Ô ÁËÛÂ Ô ÛÙ Ô ÙË Ó ÈÎÔÏ ÎÔappleÔ - ÏÔ Ù Ó ÌÈ ÎÔÈÓ Û ÊÂÙËÚ Ùfi ÙÔ Â Ô ÁÚ Ê ; ÈÎfiÓ ÛÙËÓ ÌÔ ÛÈÎ ËÏ Î È ÓfiÙ ÛÙËÓ appleôîúèùèî. ÓÙ Ì ÁÔËÙ ÂÈ Ë ÛÎ Ë, ÙÔ ÙÈ ı ÂÈÛappleÚ Íˆ Û Ó ÎÚÔ Ù. ŸÙ Ó Ô ÂÚÌËÓ ٠Π٠ÎÙ ÛÂÈ has been said already and it just keeps repeating itself? I believe that art is so useless that it will always exist! If I may rephrase one of your show titles, "Everything black and a piano," how do you usually look at the social scene around you: "Everything black and what can a piano do?" I can give it another title. "Wuthering Heights" Apart from "This night that will remain", what else would you wish to accompany your legacy? Do you ever think of that? Does it define your behavior? Let time work its wonders and the soul fulfill its journey. The fact that I am doing what gratifies me at the moment it may be something else tomorrow is enough for me. Every now and then a new thing pops up that is in orbit in the time continuum. Apparently no one can pinpoint the recipe that will ensure success in an artistic profession and in the artist s personal life as well. I believe, however, that through your experiences you may have discovered some fundamentals for it. Which would you say they are? Woooork!! With "Speira-speira", did your role as a teacher override your role as a student or are you always eager to explore and learn new things? The older I grow the more I learn Does an artist ever get enough of the creation process, success, interaction with the audience, and applause? Is there a part inside of him that is never satisfied, which deprives him of the fulfillment of reaching the end and feeling victorious? Is art only about beginnings? Is there ever an end, and if not, does that thought make artists panic? What can I tell you? I dream of kicking the bucket onstage and not in a hospital. That s my wish. Nobody knows what tomorrow will bring. If you ve done your homework, the end will be good, just like you want it, like another beginning. Your album "Poso s Agapo" (How much I love you) became golden on Lakis 54 OnBlue

5 ÙËÓ ÏË ÙÔ Î È fiïô ÙÔ ÙÔ ÛÎËÓÈÎfi Û Ì Â Ó È ˆÚ appleôïï -appleôïï, ÌÈ appleï ÚË apple Ú - ÛÙ ÛË. È Â Ó È ÁÈ Û Ô ÚˆÙ Î È ˆ Î ÏÏÈÙ ÓÈ- Îfi Î ÓËÙÚÔ Î È ˆ ÓıÚÒappleÈÓË Ó ÁÎË; Ô Î ÓÙÚÔ ÙË ÂÎÙ Ó ÍË ÁÈ fiï. Ó È ÛÙÈÁÌ appleô ÓÔÈÒıÂÙ fiùè apple ÓÙ ı apple Ú ÂÈ ÏfiÁÔ Ó ÁÚ ÊÔÓÙ È Ó ÙÚ ÁÔ È...Î È ÏÏ appleô Ó ÚˆÙÈ ÛÙÂ Ó Ù apple ÓÙ Ô Ó ÂÈappleˆıÂ Î È appleï ÔÓ Âapple Ó Ï Ì ÓÔÓÙ È;, appleèûùâ ˆ fiùè Ë Ù ÓË, Â Ó È ÙfiÛÔ ÚËÛÙË, ÒÛÙÂ Ó apple Ú ÂÈ apple ÓÙ! Ú ÊÚ ÔÓÙ ÙÔÓ Ù ÙÏÔ ÌÈ apple Ú ÛÙ ÛË Û «fiï Ì Ú Î È Ó appleè ÓÔ» appleˆ Ï appleâ- ÙÂ Û Ó ıˆ Ù ÎÔÈÓˆÓÈÎ appleú ÁÌ Ù Á Úˆ Ì ; «ŸÏ Ì Ú Î È Ó appleè ÓÔ ÙÈ Ó ÛÔ Î ÓÂÈ». ªappleÔÚÒ Ó Û ÒÛˆ Î È Î ÈÓÔ ÚÁÈÔ Ù ÙÏÔ «Ù Ûapple ÙÈ ÙˆÓ Ó ÌˆÓ». ÎÙfi applefi «Ù ÙË Ó Ù appleô ı Ì ÓÂÈ», ÙÈ ÏÏÔ ı ı Ï ÙÂ Ó Û ÓÔ Â ÂÈ ÙËÓ ÛÙÂÚÔ- ÊËÌ Û ; ÂÓ È Ê ÚÂÈ Ùfi; ıôú ÂÈ ÙËÓ Û ÌappleÂÚÈÊÔÚ Û ; Ê ÛÙÂ Ó Î ÓÂÈ Ô ÚfiÓÔ ÙË Ô ÏÂÈ ÙÔ Î È Ë ÙÔ Ù Í È ÙË. Ô fiùè Û ÌÂÚ ÂÚÁ ÔÌ È, Î Óˆ Î ÙÈ appleô ÁÂÌ ÂÈ ÙË ˆ ÌÔ ÎÈ ÚÈÔ ÏÏÔ, Ùfi Â Ó È ÚÎÂÙfi. ÙÈ ı ÍÂappleË ÂÈ Î ıâ ÙfiÛÔ appleô Ó Î ÓÂÈ ÙÚÔ È ÛÙÔ ÚfiÓÔ. ËÓ «ÎÏ ÛÛÈÎ Û ÓÙ Á» ÁÈ ÙËÓ ÂappleÈÙ ÛÙËÓ Ù ÓË, ÏÏ Î È ÙËÓ appleúôûˆappleèî ˆ Î Ó appleúôê ÓÒ ÂÓ ÙËÓ ÁÓˆÚ ÂÈ, Û ÁÔ Ú fiìˆ applefi ÙËÓ appleâ Ú Û Ûˆ Î È applefi ÙËÓ ÛappleÂ Ú Û Î appleôè Û ÛÙ ÙÈÎ ÙË ı Ù ÂÙÂ Ó Î Ï ÂÈ, appleôè Â Ó È Ù ; Ô ÏÂÈ!!! ªÂ ÙË «ÛappleÂ Ú -Ûapple ڻ Ô Ù ÙÏÔ ÙÔ «ÛÎ ÏÔ» ÂappleÈÎ ıèûâ Û Ó ÛÎfiÓË apple Óˆ Û ÙfiÓ ÙÔ Ì ıëù apple ÓÙ Â ÛÙ appleúfiı ÌÔ ÂÍÂÚÂ Ó ÛÂÙ appleú ÁÌ Ù ; ÛÙ appleú ÁÌ Ù. ËÚ ÛΈ  «ÃÔÚÙ ÓÂÈ» appleôù Ó Î ÏÏÈÙ ÓË ; Ë ËÌÈÔ ÚÁ, ÙË È ÈÎ Û, ÙËÓ ÂappleÈÙ, ÙËÓ Âapple Ê, ÙÔ ÂÈÚÔÎÚfiÙËÌ ; È Ùfi ÙÔ «ÓÈ- Î ÓÔappleÔ ËÙÔ» Ì appleˆ ÙÔ ÛÙÂÚ ÌfiÓÈÌ ÙËÓ ÔÏÔÎÏËÚˆÌ ÓË applefiï ÛË ÙÔ ÙÂÚÌ ÙÈÛÌÔ Î È ÙË Ó ÎË ; ª appleˆ apple Ú ÂÈ ÌfiÓÔ Ú ÛÙËÓ Ù ÓË Î È fi È Ù ÏÔ Î È Ùfi apple ÓÈÎÔ ÏÏÂÈ; È Ó Û appleˆ. ÁÒ ÔÓÂÈÚ ÔÌ È Ó «Î ÁÎÂÏÒÛˆ» Û appleúfi ÎÈ fi È Û ÎÚ ÙÈ ÓÔÛÔÎÔÌ Ô. Ùfi ÂappleÈı ÌÒ. Ô appleˆ Ù Ê ÚÓÂÈ Ë ˆ Î Ó ÂÓ Í ÚÂÈ. ÕÌ ÂÈ Î ÓÂÈ ÙË Ô ÏÂÈ ÛÔ, ÙÔ Ù ÏÔ ı Ó È Î Ïfi. Ÿappleˆ ÙÔ ıâ, Û Ó Ú. appleôóôì Ú ÛÔ ÛÎÔ ÛÙËÓ ÂÎappleÔÌapple ÙÔ ÎË fiappleô ÏÔ ÁÈ «ÙÔ applefiûô Û Á appleò» ͈ applefi ÈÛÎÔÁÚ ÊÈÎ ÂÙ ÈÚ Â, Ì Ûˆ ÓÙÂÚÓÂÙ Î Ú ˆ, ËÚˆÈÎ applefiê ÛË Î È appleúfiûìâóë ÈÎ ˆÛË; ÂÏÈÎ Ùfi appleô ÂÈ ÛËÌ Û Â Ó È, fiùè Î Ó ÌappleÔÚÂ Ó Î ÓÂÈ ÙË Ô ÏÂÈ ÙÔ ˆÚ Ó ÙÔÓ Û Ú- ÓÂÈ Ô ÏÏÔ ÛÙÔ ÏÒÓÈ! È ÙÒÚ ÙÔappleÔıÂÙ ÛÙ ÂÛ ÙËÓ Ù Î ÙÔ Ù ÏÔ Û ٠ÙË Û Ó ÓÙ ÍË ÂappleÈÏ ÁÔÓÙ ÙÔÓ Ó applefi ÙÔ Ô Ù ÙÏÔ : «ÎÏÔÊÔÚÒ Î È ÔappleÏÔÊÔÚÒ» «ª Ì ÁÂÚÓ ˆ». ÎÏÔÊÔÚÒ ÁÂÚÓÒÓÙ ÎÈ ÔappleÏÔÊÔÚÒ Ì Ì! Lazopoulos show mainly through the internet, with no involvement by music companies. Was it a heroic decision and unexpected vindication at the same time? In the end, what counts is that one can do his job without having others telling him what to do. And now, would you please pick one of your album titles that follow to set the final note on this interview? What would you choose: "I go about armed" or "Mother, I m growing old". I go about growing old and armed, mother! 56 OnBlue