2018 6 JournalofClothingResearch Vol. No. Jun. 2018!"#$%&' (, 510800) :!"# $%&', ()*+,, -.!/01 2456789:; < =>?@ (.ABC ;D +, E, FG,HIJKLM ABNO +, AB?PQR S T,67"U!"#45 VW AB?@ X$QY ()*:; ;!";#$;%&' +,-./:TS941.2 01 :A 0 /:2096-1928(2018)0-025-06 PracticeofCostumeDesignBasedonTaoistAestheticThought of"nature"and"simplicity" LUOLin (GuangzhouColege,SouthChinaUniversityofTechnology,Guangzhou510800,China) Abstract:TheTaoistaestheticsrepresentedbyLaoziisintegralpartofChinesetraditionalaesthetics.'Nature'and 'simplicity'arethecoreoftaoistaesthetics,whichhaveexerteddeepandfar reachinginfluencesonthechineseculture andartaswelasnationalspiritofseveralthousandyears.firstly,theconnotationof'nature'and'simplicity'aswelasits influenceoncostumedesignwereexpounded.secondly,guidingbytheaestheticthoughtof'nature'and'simplicity'aswel ascompromisingofmoderncreationtechniques,theconjunctionpointsbetweenthetaoistaestheticsandtheformoffashion designbypracticewereseekedwiththepurposetoinheritthespiritofchinesetraditionalaestheticsandenhancecultural connotationofmodernfashiondesign. Keywords:Taoist,aesthetics,nature,simplicity,fashiondesign!"#$%&' #$ (,)* +,-,./01 %!" &2 456789: #$,; :9 & <:!"=>"?.@AB CDE : FG9HIJK [1] LMN0O!": #$ &' / PQ/ R ST UV9WXY, Z!": #$ 7[\WXQ/,TUV9]^_`a bc 1 2&' %4!" 9 ] %!, : U,,,,,.,! [2] L O! % I I*,! 9R] 9 &,! _ % (9 1,,!,! [2],0O :2017-11-15; :2018-02-11 : (1985 ),,, Email:starmoon258@16.com
26. I ;! 9I, D +,1,!9JK 0Q 9J K,! _ ( 9 [1]!,, [2] 9#$&,!_,%. %!"#$9 6,@ 9 ]^, U6:, UO, U ] 1, R : ],% P1,6 G, + [] Y#%, ),,1.& : : B?B?! []! % 9, 1! % 9, U % :9!] 1,I, [] % ) 9 ^, 9!" & 6U :1 9, ;2 19 I ; 9 &!, G!"# $% & + I',! I I, `Q 9, % 6()*&'9+,,-./0,1 9 Y 2, V456*,78 9: 9 ;, I* I ),! 9 ;, %W 9 < = >?@AB ;, %W*+ 'CD9E H, I' 9],% 9 0 + 9 _ % FG HI JK LM NO BU ;9, V4 >! P B ;9, LQ ; %#$R98 0S bc 9 & Q, % : #$9I* T ( U9], R 0Q VWXY 9 JK; >" & & Z[ 9#$, 9 \ :, &], ^ [ Z & 9' R_`a [4] 2014bc APEC R, ' X1 49 1., V \; ; B Y; 6, Q &' :Y2,% 9 ;_ / #$ :, 1 2014567 APEC89:; &' Fig.1 CostumeswearingbyAPECleadersinBeijingin 2014., G!9 &!,0Q V 9 ',,- G!9 :;, V 9 _, I') 9 % ' 9,, 9 9 ] 1, 1 &' /
: +, ABNO 27 9? R9 ' Z,% 9 :0,L 1 1 9, ]. V9, 9 0Q 1 9?,, _, % &, :99 % _1 9 T,_4,_,_ / :, 6 Y G R,,, \ 6: 6 I (,@ ( 97, - & $ _1 a9, 1 9, 9 4 `Q 9,. G! 2 2&9 G! Q ( 1 I V 4 9 ], @ 9 19 L( #$, 2 < = Fig.2 DesignworkofIseyMiyake 2!2&' %4 %!": 9 \, &U,;,,YWR; ;,,. ; ;, [4], ; RY%W 9M!, U ; ;,I [5],! ; YW I,+ ; " #,Q$ ; ; %, 0$R], ; W/ I & '9R!,, [2] \! 9 ; ;(,)*+, -,, C [2],^ 1_ 9 :./ ) 9, ; _ 0: [], \ PR9:,1 ( G9,,-2 R. 45,6!" 7,9 8 299:!" ; #$ 9,T Q "# $R:1 : R ` ;;9 : ;2 Y2929 2 I _7 `Q 89 ; :,,0Q 9 _ R,*+ 9 9 _, 9 : ;:, < = Z B!>9? @ AB 0 BCD & 9 ; :., 0 $,!" E ;, 0 E E,, E,%!"9 K, ; ;,/0 2 0O 9 F % Q 9GHI
28, % JRK92; [6],T < 9, LBM5;; ^,N 5O 9 9K, 7 ;!, ` :R : % 1, [2] /0 P.;9, W 1 7QR9NSTU V,9, & P29 ;? P9W 8 ^ `, XX( Y 94, $ 9 Z [\T, ]9 ;JR 9I, ^D`, : _`9 7 TU ; Y 9 G!, %` + G!I' ` & ' BCD 9 8, V9%abG!29 c9 I _7 L,, 7( G, _`9 X FG9, 97, 9G! [7] E 9 G!, % T Q <G! :9C D Q ] 7 bc B,L G! ` 9H R, *F 7, G! I _7 ` 9 8% 0!> 9F 1 2007b R 9, 9 : 9!: 9 9 U,9 ` 97, 4 + ( 9,, B [8] %9+, + & M _I 9^D, 9,7 8 _7 R9,L 9# 8!" 9, ^ _1 9 ;I,@+, :9 6: P: [9]!"#$%& ' >.1?@ 1 Q&, %92 9, & G!,, /04 &'9R, R I 9Y2,/0 7 ` 91 _1 ^D9,!" & 2 I 9].2 A -B.2.1!" ^ R9+, 5O,, : $ ;5 0 1 [2], :9 % ],%W 9 1 I,!" 6 >" 9 ` a& 9 # 9,,X % ], I 9, M 9 1 : Q,0 4 9: ], CDE Fig. Selectionofcolor.2.2 Z G! @ M A,T 4 @, ], 1 `Q, @ 9 /\ Z,K Z K_9',L @ I'TU ;9 KY ; M A, 1 :Q,. 1 94 Q," 0 5 89, 4 E Fig.4 Selectionoffabric
: +, ABNO 29.2. [\AB ),$ [2] 0 ) 6 $,V$6,X = ],! 1 $"4#$9Y,L K 9: #$ FG$ V%& 6 & G!R, % HI ` 9'8 9 P 9W 8 9,T 5 5&9G! M$ 9F 9, 9 R96 )(!, ^ 9, 7 _ &)QB CD 9, 5 Fig.5 Styledesign.2.4 ]^ _ Q ` 9! 7 97,T?8 6, G!1 * T, $, 9 T ` G 9:1 +T, _9 -_. / /0 T;1 < G, Q :9 1T, R / /,,L 2 9`, \ Y9 R 4, )1 56, 1 \ 9 $, )Q 9, 9 _ ;H,N 9, 0!"1_ T 9 :, 6 ' FGH Fig.6 Decorationanddetails
240.2.5 '` a %!": ] % 9 & _`a, 9 _ `9 9 9,!" ;9: ;9 8I I-9, *< W & % ^ 9 9Y, Q RY 97, ] &`Q T_,.! 7, 7 I=JK Fig.7 Finishedproduct &[D].R :K 6,2009. [5]LM. [M].N O,.c :& G, 1999:27 28. G &' : 9VW _, [6].^! " [J].:,2006(6): 4 L M /09!":,U4= 91 Y2 [10] & >? Z!": #$& ; "6J K, @, A!" %& 9 97 100. WANGWenjuan.Taoistviewofcolor[J].ArtObserva tion,2006(6):97 100.(inChinese) [7]. &97 I _ Q[J]., ; JB, <`a, 9 2006(5):104 105. B $ A!" ; :#$9 ZHANG Yali. Spiritualnatureand emotion offashion 0 8!": #$&24= 9 design[j].artanddesign,2006(5):104 105.(in $?, + TUVC G Chinese) U5D+ 69CDH &, [8]P.Q,RS,TU,B.!> V[M].c : M, TJ 9 E Y W,2015:2 4. [9] X. 9 ; :^[J]. Y6 NO01: [1];.:9 [M].c :&', 2001:86 89. [2]. + + [M].c : F7GH,2016. []. [M]. I,.c :& G,2010: 5 120. W,2000,40(6):59 66,96. WANG Xiangfeng.OnthesimpleaestheticideaofLao Zhuang[J].Jilin University JournalSocialSciences Edition,2000,40(6):59 66,96.(inChinese) [10];!. : #$9 /Y [M].c :&',2008:16 87. [4] J.^&'I91 7 -' \ 9% (bc :, )