Syllogism No 1 or solo rench horn ames Paul Sain 1994
Syllogism No 1 or solo rench horn by ames Paul Sain or Paul Basler Program Notes Syllogism No 1, as the title implies, is a teleological extrapolation o two musical premises These two premises, though obiously symmetrically related around a piotal interal o a semi-tone, are recontextualized and combined to orm a logical musical conclusion Written or the rench horn irtuoso, the piece utilizes numerous adanced techniques including sung multiphonics notes with triangle-shaped heads pointing upward indicate to play the highest note possible notes with a plus () symbol aboe the note heads are played stopped notes with a plus (o) symbol aboe the note heads are played open (and all notes aterwards as well) accidentals carry through the beam group (since there are no bar lines) or urther explanation o adanced techniques see; Hill, Douglas Extended Techniques or the Horn (Studio 224: 198) About the Composer ames Paul Sain (b 1959) is Proessor o Music at the Uniersity o lorida where he teaches electroacoustic and acoustic music composition, theory, and technology He ounded and directed the internationally acclaimed lorida Electroacoustic Music estial or 17 years His compositional oeure spans all maor acoustic ensembles, instrumental and ocal soloists, and embraces electroacoustic music His works hae been eatured at maor national and international societal eents He has presented his music in concert and gien lectures in Asia, Europe, South America and North America Dr Sain is currently SCI Executie Committee chair and an American Composers Alliance board member His music is aailable in print rom Brazinmusikanta and American Composers Editions and on CD on the Capstone, Electronic Music oundation, Innoa, Uniersity o anús, Mark Masters, Albany and NACUSA labels Most current and machine-readable orms o the aboe prose can be ound at http://amespaulsaincom/ or ia email sain@uledu duration: 5'00"
Syllogism No 1 or solo rench horn or Paul Basler ree ( Ú ca 72)? ^ "ah" b^ ^, legato ( ) b π sub ames Paul Sain, - ( ) b - b b P b ^ b^ n, ( ) with emphasis ( Ú86) b b b p > > b b b n > - - > b > > > b b - - P b b n b b rz Ó rz Ó b p Ú >metered ( 60) b > b π b n b> > b? 1994, All Rights Resered
ree? n n b b "oh" (somewhat slower) b b π Sain Syllogism, or solo rench horn bḷ Ú n b ( 60) with direction > > >- b b- - b n b b r z p (not in horn) "ah" brash st mute b >? ^ n > b > b> b > Ë b b n b^ b >? - b > ^? n > > b > b > b^ > ^ b b n ^ b b n b 6:4 b n b > n b b n b b n (not in horn) "ah" open w W a nienté 2
Sain Syllogism, or solo rench horn "ah" ( Ú86) > > b^ n b b b b? b b b b b n n > b > b b b > ^ ^ b b Ï b b 6:4 b b> > 1/2 V b > > b b^ ^ b^ ^ b^ b^ n^ ^ b^ ^ b b b n b b b b? b? b> b b b b b
Sain Syllogism, or solo rench horn b > - > - > - b b > > b b - b b > b > b - b b b # n - n - - - π P b b b b b n b b b n b b b b b b b b b n b b b b b b b b b "ee" b b b 1/2 V n b "ah" b b P b b b b b b b b b P b n p b - - b b b> b b b n - -> > b b > nṗ b b b b b b b b b b b b 4
Sain Syllogism, or solo rench horn b b b b n 6:4 subï * ^ apple * b b> b> 1/2 V b > n> b b b> b orceully, bell sound b> > b> b > n sub π - b n w > Ï b w > w >?,? b, bw b> π bw w,, bw, bw? w * = highest note possible 5