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4 Dear Council Members: I am writing to you in support of South Abbot Kinney Boulevard. As a patron of the Arts, LACMA Trustee, and member of several other boards throughout Los Angeles, it is of deep concern to me that you please preserve and historically protect this property S. Abbot Kinney has played a critical role in Los Angeles postwar visual and musical arts movements. Specifically, four globally celebrated artists created monumental work while using this location as their studios: Harry Partch, John McCracken, John Altoon, and Fred Eversley. This building has essentially served as a launching pad for these artists who, collectively, have served as ambassadors for the Los Angeles Artists scene around the globe for over sixty years. Most recently, Fred Eversley has been creating groundbreaking sculpture informed by science and technology here. His work can be found in 40+ major museum collections. In Southern California alone, his work is at LACMA; The Long Beach Museum of Art; The Newport Harbor Art Museum; Palm Springs Desert Museum; Laguna Art Museum; Fisher Museum of Art at USC; and Santa Barbara Museum of Art. Further, his work produced at South Abbot Kinney has been exhibited locally at The Hammer Museum; Mark Bradford s Art + Practice: The Underground Museum; Loyola Marymount University; and LACMA. Mr. Eversley is one of the last living representations of the pioneering artists who settled in Venice several decades ago and remains a central figure in the globally respected Art World nucleus that Los Angeles has become. Generously hosting some of the world s most prominent art patrons, journalists, and academics in South Abbot Kinney, Eversley and his predecessors have stamped a unique narrative on this special space. It has been my honor to spend time in Mr. Eversley s studio. He is one of America s most important sculptors who also happens to be a living Venice Art history textbook. The hands of time turn back to 1960 s Venice within the framework of his studio. To redevelop South Abbot Kinney in any fashion would be to remove one of the last representations of the original Abbot Kinney a pedestrian-friendly, single story and human-scale neighborhood. This building epitomizes why we have Cultural Heritage Commissions. As a concerned and passionate citizen and community leader in Los Angeles, it is my great hope the commission agrees that we must protect what is already, in local art lovers opinions, a Venice and LA Art Scene monument. Best Regards- Allison Berg

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