Doxology

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1 Ave olenda Trinitas, translation y ohn hamers, Bridge text from Entrance Antiphon for Trinity Sunday OL HUNRETH Arranged y Ken anedo Keyoard 7sus4 Soprano Alto Tenor Bass INTRO (qd = ca 5) 1 1 holding ack 1 All (Three) 7sus4 % % m m7 n 7 n VERSES 1, / B / a tempo, light gospel feel hail, per - a - sons dor - praise ed we B / /A ma7 m7 B m P / B / Trin - ev - i - er - ty! more, All One m Bridge text 1973, IEL All rights reserved Used with permission Music arrangement 007, Ken anedo Pulished y OP, 553 NE Hassalo, Portland, OR 9713 All rights reserved Edition 03-Z Edition 03

2 1 hail, on - e - ly ter - nal our m Am/ B /A 1 thy sure a - r, mer - cy, /E m /A 1 ev - tec - er tion / U - ni - hearts a - E ma7 m n ev - er Son, kind, And May B A7sus4 A7 m /E 1 w One Œ ty! dore: O In Œ m w 1 B / we your Spir - it, strong pro - n m7 m n Ó Œ Three Ó Œ / S 3 S B / 7sus4 Edition 03

3 4 ΠBRIE Soprano find add9 ΠP () a - r and his m /E add9 Πand on - ly - e - got - ten m Am/ B /A Ho - ly /E m Bless - ed e Son E ma7 m Spir - it: for he has B A7 m /E Edition 03

4 shown that he add9 /E m/ B n n S Ó Œ A 3 O T Ó Œ Œ B loves / f Maestoso VERSE 3 Broadly ountermelody Bless - ed e Trin - i - ty! O /E /B Ó us ma7 m7 B m7 A a - U - ni - Em Edition 03

5 Π3 ty! 3 r and his ΠBe ΠΠΠe; and And Πa Em on - ly - e - got - ten pres - ent as we Em Bm/ Am/ /B Ho - ly with songs that / Am /B Son wor - ship n ma7 Em7 n n n Spir - an - gels B Edition 03

6 7 1 Π1 3 sing U w us w 3 ring w w it: ΠΠEm / for he has shown that he nite hymns of n Em Am/ n rit rit rit rit loves praise we / w A - w A - w w w w w men w men w w w w Edition 03

7 (uitar/vocal) Ave olenda Trinitas, translation y ohn hamers, Bridge text from Entrance Antiphon for Trinity Sunday OL HUNRETH Arranged y Ken anedo % INTRO (qd = ca 5) apo 5: () (Am) m 1 (7sus4) (7) 7sus4 7 holding ack VERSES 1, () () (/A) (/E) B / /A () (m7) m7 (/) / () () (/) B / a tempo, light gospel feel (A ma7) ma7 (/) / (m7) m7 Ó Œ (m) B m (/) B / (7sus4) 7sus4 1 All ( Three) 1 1 hail, a - dor - ed per - sons praise we () ty! dore: () we (Am7) m7 Œ (Am) m (Am) m your () Spir - strong O In (m) m it, pro - () () Trin - i - ty! ev - er - more, (/B) /E () All One (m) m (Am) (Em/) () m Am/ B hail, on - (/E) /A thy (/) / sure () ev - tec - er tion a - r, mer - cy, 1 () e - ly (/E) /A ter - nal our () B ev - (/) B / One (B ma7) (Am7) E ma7 m7 U - hearts (E7sus4) (E7) (Am) A7sus4 A7 m er (/) / Son, kind, Ó Œ ni - a - (/B) /E And May S (/) (7sus4) B / 7sus4 Three Bridge text 1973, IEL All rights reserved Used with permission Music arrangement 007, Ken anedo Pulished y OP, 553 NE Hassalo, Portland, OR 9713 All rights reserved Edition 03

8 9 (add9) add9 find (Am) (Em/) m Am/ Œ () B (/E) /A BRIE Bless - ed e 1 on - ly - e - got - ten () B (E7) A7 (Am) (/B) m /E Spir - it: for he has () B () Ó Ó VERSE 3 Broadly () (A) (/B) (/ ) /E /B (B ma7) (Am7) E ma7 m7 Son (add9) add9 (/B) (m/a) /E m/ shown that he (A) f Maestoso (add9) add9 (/) / Œ () loves () (Am) m (/B) /E () a - r and his and (/B) /E () (m) m () Ho - ly (A ma7) (m7) (m7) ma7 m7 B m7 (E ) A Œ Œ us Ó Œ 1 Œ 3 Trin - i - ty! O (ma7) (Bm7) ma7 Em7 (Bm) Em (A) U - ni - () ty! Be 3 O (Bm) ( m/a) (Em/) (/ ) Em Bm/ Am/ /B pres - ent as we 1 Œ 1 3 wor - ship () (Bm) Em 3 nite hymns of (A) e; (A) (Em/) Am/ (/A) / (Bm) (A/ Em / ) () And praise (A) we (Em) (/ ) Am /B with songs that () w ring () ( 7) B7 an - gels () rit w (Bm) Em (A/ / ) Œ A - sing U - () w men Edition 03

9 10 TRUMPET I in B Arranged y Ken anedo INTRO (qd = ca 5) 1 P VERSE 1 a tempo, light gospel feel Œ Ó 1 VERSE Œ Ó 1 Œ BRIE 5 holding ack w 1 Maestoso Œ f VERSE 3 Broadly Œ Œ 1 1 Œ Œ 1 Œ Œ Œ rit w ( ) Music arrangement 007, Ken anedo Pulished y OP, 553 NE Hassalo, Portland, OR 9713 All rights reserved w w Edition 03

10 TRUMPET II in B 11 Arranged y Ken anedo VERSE 1 INTRO (qd = ca 5) 1 P n Œ Ó 1 VERSE Œ Ó 1 Œ omposer Notes holding ack a tempo, light gospel feel w 1 All Hail, Adored Trinity is, of course, one of most eloved songs in hristian hymnody, and your assemly will have no prolem singing along immediately Please don t let 1/ time signature intimidate you Simply think of song as still in traditional 4/4, with 1/ signature allowing for a more gospel-style feel in eginning of song and a more maestic triplet feel in final verse The Bridge (which ecomes descant on third verse), ased on entrance antiphon for Solemnity of Most Holy Trinity, is meant for choir to sing, not assemly Bring assemly ack in on final verse, after modulation The choral parts are ased on traditional SATB setting, with concessions made for more modern chording espite newer elements of this arrangement, re is enough familiarity here for a parish choir to master song almost immediately It goes without saying that final amen needs to e ig! Ken anedo 5 BRIE 3 Maestoso n n Œ f VERSE 3 Broadly 5 1 Œ Œ 1 Œ Œ 1 Œ Œ Œ rit w w Music arrangement 007, Ken anedo Pulished y OP, 553 NE Hassalo, Portland, OR 9713 All rights reserved Edition 03

11 1 Assemly Edition OXOLOY OL HUNRETH Arranged y Ken anedo 1 Verses 1, 1 All hail, a - dor - ed Three per - sons praise we 1 1 U - ni - hearts a - Œ ty! dore: O In 1 Spir - it, ev - er we your strong pro - tec - tion Trin - i - ty! All ev - er - more, One Bridge (hoir): Blessed e ar and his only-egotten Son and Holy Spirit: for he has shown that he loves us hail, e - ter - nal on - ly our a - r, thy sure mer - cy, ev - er Text: Ave olenda Trinitas, translation y ohn hamers, Bridge text from Entrance Antiphon for Trinity Sunday, 1973, IEL All rights reserved Used with permission Music: Arrangement 007, Ken anedo Pulished y OP, 553 NE Hassalo, Portland, OR 9713 All rights reserved 1 w One Ó Œ to Verse Son, And kind, May to Bridge Œ find Verse 3 1 Œ 3 O 3 wor- ship Trin - i - ty! e; O And U-ni - ty! with songs that Be pres- ent as we 1 Œ 1 Œ 3 U - nite hymns of praise we w ring an- gels w A - or reprint permissions, please visit OneLicensenet or contact us at sing w men Edition 03