1.Intro

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1 Introduction Viola 6 # Adagio Tom Armstrong ater Pyotr Ilyich Tchaikovsky # # # o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o & : # ; o. j 7 B riten. n n n j

2 Adagio Tom Armstrong ater Pyotr Ilytch Tchaikovsky Viola 6 11 Andante &b b molto cantabile # Ó n - - # Ó > Ó # m m Ó - - > - - Ó > b # b 15 &b b n b b # # b# & Ó B n 18 & bb 1 quasi izz. m # n # n n & bb # & bb b Coyright Tom Armstrong 017

3 5 &b b Ó ij Ó i j b ij j i j 9 &b b ij Ó b j i j i j & o o o o o o o o o # o o o 6 6 esressivo - & bb # esressivo R B & bb o o o o o o o o o o o o o o o o o o o o o o o o o 5 & bb molto cantabile > # Ó # Ó molto cantabile > Ó # Ó n - - # Ó & bb Ó Ó 1 cresc. oco a oco Ó # b

4 5 & bb 8 m # &b b n > Ó > > b Ó n Ó Ó Ó b b> > > 5 & bb ad libitum # # # j Ó

5 56 Allegro vivo & bb Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ Æ i. # # # b m m # m & bb # n n # #.. b 6 m m m j j b j j b n m j 7 &b b #.. #.. m b. # # j m &b b # # 79 b b b b j...

6 Candite (Var. 1) Viola Allegro moderato & bb C-string tuned to Bb (transosing) Tom Armstrong ater Pyotr Ilytch Tchaikovsky 1 &b b i ij ij i i ij ij ij # m m m m m + & bb # # # m j # 9 &b b m izz. j m j Coyright Tom Armstrong 017 j

7 Viola 8 Allegro 6 & bb # 8 # 6 8 C-string tuned to Bb (transosing) arco Coulante. Fleur de Farine (Var. ) Tom Armstrong ater Pyotr Ilytch Tchaikovsky b b &b b b b b. b. # # & bb # # 15 # # &b b 0 &b b j Coyright Tom Armstrong 017

8 Miettes qui Tombent (Var. ) Tom Armstrong ater Pyotr Ilytch Tchakovsky Viola Re-tune C-string Allegro moderato & #. # # quasi izz. izz. # # arco #.. j j j 1 m izz. m arco j j j j j j j j j j j j j # izz. j j j j b cresc. B # # cresc # B # # 7 Coyright Tom Armstrong 017

9 Canari qui chante (Var. )

10 Violente Tom Armstrong ater Pyotr Ilytch Tchaikovsky Viola & b Bb Allegro molto vivace j j # n j j j j j j b j j b j n 9 &b Bb # # m m # # m m 18 & b Bb n 7 & b Bb # # m m # # m m Coyright Tom Armstrong 017

11 6. &b Bb n. > > b.. b # j 6 &b > > b m Bb # b j # b. # b. # b. m 56 & b Bb # # n m m # # 65 &b Bb j b b 71 &b Bb n n

12 La Fee des Lilas (Var. 6) Tom Armstrong ater Pyotr Ilytch Tchaikovsky Bars 1- should be interreted as ollows (reerably at the moment o erormance): the ive-note ubeat igure (bb. 1-, 9-10, etc) should always be erormed; intervening bars may relaced by silence. Silent bars should redominate at irst then gradually decrease in number, however the comlete hrase should never be sounded by any single layer. Players should interret their arts individually without a strategy agreed in advance. Viola & B Temo di valse # # j j j j j 8 & B 1.. j j j j j j 16 & B j j j j j & b b b b b b b b b B j j j b b b b b b b b b Coyright Tom Armstrong 017

13 b b & # # # # # # # # # # # # # # # B b b # # # # # # # # # # # # # # # 8 & B # # n # # n > >.... & B > > & B #.. i j i j # i j # i #.. # ij # # b # j # i j

14 Coda Tom Armstrong ater Pyotr Ilytch Tchaikovsky Allegro giusto Viola # # # # # # 5 i j Ó Ó # # # # 11 i j Ó # # # # Ó # 17 # # # # # # # # # # # # Coyright Tom Armstrong Ó... Ó.

15 5 # # # # # # # s s s s # # # # # # # # # # # # # # # Ó Ó s # # # # # # s 5 # # # s # # s # R # # R R R R R R R 9 R R R #... #.. #. #. #.. #. R # # # #

16 #.... # # # # R R R R R R R R 7 R R R #... #..#. #. #.. #. R # # # # 51 Poco iu animato #.... # # 57 6 b # b #

17 70 # b#.... # b# Ó Ó 7 æ æ æ æ æ æ æ æ Ó æ æ æ æ æ æ æ æ æ æ æ æ 77 æ æ æ æ æ. æ æ æ æ æ æ æ æ æ æ æ